Netflix’s The House is an unsettling anthology wrapped in cozy stop-motion
Image: Netflix The House, one of Netflix’s first new releases of the year, is a straightforward concept. It’s a film split into three chapters, each helmed by a different director, all of which explore a different story related to the same sprawling home. What connects each short, aside from the physical house and stop-motion animation, is a creeping sense of dread. The House looks cute, with talking animals and dollhouse-like visuals, but in each story there’s something lurking just beneath the surface; something wrong, unsettling. It could be a recession or a scary creature — but when you put it together the result is an anthology with a trio of distinct, yet clearly connected stories. The first chapter, directed by Marc James Roels and Emma de... Continue reading…
The House, one of Netflix’s first new releases of the year, is a straightforward concept. It’s a film split into three chapters, each helmed by a different director, all of which explore a different story related to the same sprawling home. What connects each short, aside from the physical house and stop-motion animation, is a creeping sense of dread. The House looks cute, with talking animals and dollhouse-like visuals, but in each story there’s something lurking just beneath the surface; something wrong, unsettling. It could be a recession or a scary creature — but when you put it together the result is an anthology with a trio of distinct, yet clearly connected stories.
The first chapter, directed by Marc James Roels and Emma de...
